Sunday, 19 July 2026

Still on the subject of revision- Shorten that poem

 


Preparing a new volume of poems I am revisiting the old ones, many published on the blog. The Butter Road is one of these. It's not always a question of just shortening the poem but sometimes it is!


THE BUTTER ROAD

 

I'd say the road hasn't changed much two centuries on, 

still mossy- stoned underfoot, the ponies hooves must have sank 

in the ruts like ours, booted and sandal shod. I warned him 

about the terrain but he's fond of the pilgrim way though this

is no spiritual path. Here men and ponies toiled a week long return 

from Mizen head to Skibbereen to the Cork  Butter Exchange, loaded 

with two firkins of salted butter, thirty- six pounds apiece, bound 

for Spain and the West Indies and beyond, while we shuffle 

a lightweight backpack between us, water, chocolate- snacks 

for a day trek, stop to frame straggling fuchsia, burnished fern, a cottage

embalmed in ivy and bramble, and the so-called "idle bridge," 

built as relief work during the famine, leading nowhere, shouldering

failed hopes and bones, and listen to the same birds, the long-tailed tit flitting

from limb to limb, the rook setting up a din as we, in passing, disturb

those best left to rest in peace.

 

More of a prose poem

Here is the revision:

Mossy-stoned underfoot, the ponies hooves

 must have sank in the ruts

where they toiled a week long return 

from Mizen head to Skibbereen

to the Cork  Butter Exchange,

loaded with two firkins of salted butter,

thirty- six pounds apiece,

bound for Spain and the West Indies and beyond,

while we shuffle a lightweight backpack between us,

 stop to frame straggling fuchsia, burnished fern,

a cottage embalmed in bramble,

and the so-called "idle bridge," 

relief work during the famine,

leading nowhere, shouldering

failed hopes and bones.

 

Copyright 2026 Cathy Leonard



Saturday, 18 July 2026

Revising poetry drafts

 


Revising an earlier draft of your poems is an interesting process. I originally called this poem The Killing Field and it relates to a scene witnessed in  my back garden. The new draft is shorter and I think more effective. A new shape of the poem on the page started to emerge and I decided to play with that. 

The early title also probably conjures up that 1984 British Biographical drama film set in Cambodia. 

Titles matter and I often struggle with them.

 If the poem is meant to surprise you don't want to give too much away. 

However they can be a tad esoteric!!

And there is a practice these days of long titles like : To the boy who nearly won the Tesco Art Competition. Love that!


The Blackbird

 

His head tilted to the thrum of earthworm

He didn’t notice a shadow

hug the ground, or hear

the wing swoop propel 

the raptor forward

 

its long tail fanned out to break speed

 

The last thing

the blackbird saw

was the hawk’s yellow eyes

fixed in a deadly stare, before claws

descend, before shorn feathers blacken the air.


Copyright 2026 Cathy Leonard

 


The original poem below

The Killing Field

He would have had his head tilted listening for earthworms.

He wouldn't have noticed a shadow hugging the ground

or heard the short wings swooping the air 

propelling the raptor forward, its long tail fanned out 

to break speed.


The last thing the blackbird saw was the yellow eyed sparrow hawk

fixing it in a deadly stare before claws descending 

left shorn feathers blacken the air.


What we saw looking out our kitchen window

was a hooked beak delve into bird skull 

and strong yellow legs pin their prey to the ground.


It was too late to save the songster 

and probably unwise.


Wednesday, 24 June 2026

Concerning Emily Dickinson and That Fly



 

I hear a Fly buzz when I sit-

To meditate- and think of Emily

And how- put out she may

have been- when that Blue-

Stumbling fly- immortalised 

In her Poem-591

Interposed between her-

And Eternity.

Today-Someone would tell her-

It was doing her a Favour-

Keeping her present-

In the Present-

Where she still was-after all-

But I get it-Emily-

The darn Drone of it

Would turn a dying Saint-

Into a Murderer-

Or at least- a Fly Catcher-


Copyright Cathy Leonard 2026

Tuesday, 9 June 2026

Playing at Rodin's Thinker

 


The West Coast of Ireland is the place to be

if you want to ponder the meaning of life

for here there are no distractions to withstand.


And though I am now sitting in a bungalow

in a capital suburban sprawl-

No Atlantic swell to throw up

flotsam-jetsam wisdom from the deep.

No howling onshore wind crumbling the waves.

No sea mist veiling and unveiling the Skelligs

and its story of viking raids and monastic contemplation.


Just the DPD fellow making another delivery

and a woman out walking her reluctant schnauzer

and a great kerfuffle in the back kitchen

where the cat has just dragged

a fledgling magpie through the cat flap

and is now beginning to regret his bravado.


Making me, right elbow placed on left thigh,

back of right hand supporting chin,

ponder the folly of instinct

untempered by foresight.



Thursday, 4 June 2026

Self Publish your poetry- your story

 

At last I have published a small collection of poems.
Available from Amazon.

I used Reedsy.com to typeset and the Amazon cover creator for the book cover. 
See my blog Self Publish 28th October 2024 regarding self publishing.

The theme of this collection is home. I grew up in Northern Ireland during the fifties and sixties. The troubles were already brewing during my childhood and finally erupted onto the streets in '68. On August 24th I attended the first civil rights march from Coalisland, my father's home town, to Dungannon where we lived in a council estate. In fact I remember, as a school girl, delivering leaflets advertising the event.

The aim of the march was to highlight discrimination in housing allocation in our area. Follow link below for the full story.

https://www.irishtimes.com/news/politics/the-lost-story-of-northern-ireland-s-first-civil-rights-march-1.3605463

Here is a piece on the subject written as a sort of Haibun

Haibun is a Japanese genre that mixes autobiographical writing with Haiku.

Five pointers

KEEP PROSE SIMPLE

USE SPARSE IMAGERY

EVOKE THE SENSES

USE THE PRESENT TENSE

THE HAIKU/S CAN BE INSERTED ANYWHERE BUT SHOULD ADD MEANING

 https://www.masterclass.com/articles/how-to-write-haibun-poetry

https://www.masterclass.com/articles/how-to-write-a-haiku-in-4-easy-steps#quiz-0


THE SKIPPING ROPE

 

It is a mean spirited town. At its heart the burnt out remains of O’Neill’s Castle  smoulder.

 

scorched earth policy

employed throughout history

our culture erased.

 

Centuries later and the town cry is still, “No Surrender!” 

 

Buildings have eyes. As I stand at McAleer’s corner eating Pagni’s chips out of vinegar sodden  newspaper, watching cats in the family hotel basement window, I feel their presence. Panoptic surveillance emanating from the RUC barracks at the top of the Square, bolstered by the Ulster bank beside it, and higher up

 

British armoured towers,

iron clad, cube shaped set to watch

we the occupied.

 

In 1968 the town is a battle ground flanked on two sides by council housing estates: the Ponderosa and the White City, pebble dashed rows and blocks built at right angles to each other on low lying bogs, inhabited by the poorest of both denominations who qualified for these after doing time in the vacated POW camp out the Moy Road.  Working class protestants occupy more salubrious zones to the south, Milltown and Moygashel, where red brick industrial cottages nestle at the foot of the Windmill Hill or around the linen factory, Dungannon’s industrial sector.

 

Bigotry runs deep in the runnels, in the rills, in the streams and the air we breathe will soon smell of metal and burning flesh. The town is tense

 

like a skipping rope

strung tight between two players

Irish and Scottish

 

 And we wait for one of them to tighten grip or loosen hold.

 

 Copyright 2026 Cathy Leonard


Sunday, 31 May 2026

Ashes


 Following my recent impulsive request

that my ashes be flung

into the cove just below Blake's Drum

I began to wonder where

I might end up.


If  I dodged the jellyfish

and their stinging tentacles

in the Sunlight Zone

I might make it to Twilight

where octopus and sponges

would surely ingest some of me.


The rest dropping to Midnight

Where I could circumnavigate

the great wreck of the Titanic before falling 

into the freezing depths of the Abyss

and the clutches of the sea spider.


And finally if I made it,

or some of me anyway,

I would end up in the Trenches

Challenger Deep.


And after all this diving and dodging 

and conflicting messaging from my inner ear and brain

I'm thinking that a land burial might suit me better after all. 


Copyright 2026 Cathy Leonard

Monday, 18 May 2026

The Disappearing Skelligs



(On reading Billy Collins at the edge of the ocean)


Since I sat down with my stylus 

and unwaxed tablet

the Skelligs have appeared

 and disappeared several times.


Perhaps off on a space mission

with Hans Solo or Luke Skywalker in control.


Maybe circling the globe

at 17,500 miles an hour,

(don't ask me what that is in kilometres)


The fastest moving islands in history

passing over our heads

once every ninety minutes.


And here they are back again

looking just a tad outraged at my speculations


As if they haven't just now

in low earth orbit

witnessed sixteen sunrises

and sunsets

just for the hell of it.


Copyright Cathy Leonard 2026