Monday, 17 July 2017

The Frenchman


This story was shortlisted in The Brian Moore short story competition and the Fish short story competition.
http://www.culturenorthernireland.org/features/literature/brian-moore-short-story-awards

http://www.fishpublishing.com/competition/short-story-contest/
Competitions are great motivators!!!

The Frenchman

She would close his eyes in death; that was all she knew about him.


                                          ***
The Frenchman who sold her the cottage made a living from his vegetables. Set on the edge of Clare Galway the stone cottage with its Stanley range and converted hayloft seemed suspended in a time warp. Oil fired central heating was a promise and, for the moment, Sarah spent her days lugging buckets of turf and logs from the out house, feeding them to the black iron Stanley that choked and spluttered and spewed out wood smoke. She saw little of the Frenchman.

                                          ***

“She sallies about that cottage naked in the dead of night,” said the farmer.
“I’ve seen her in satins and bows and high-heeled shoes wavering in and out of the cow shed,” said his neighbour.
“She only got two letters all summer long and them nude postcards from abroad written in Italian,” offered the postman.
“Sure I’d hate to live near any of yous,” said Ruth the barmaid.
“She crumbled out of the car last week,” began the Frenchman.
“You mean clambered,” said the postman.
“No, I mean she was tired, or arthritic.”
“Ugly and arthritic too,” said the farmer into the bottom of his pint.
“She keeps herself to herself is all you can hold on her,” replied the Frenchman as he smoothed the plastic tablecloth with his fingers. He seemed to be patting down some imaginary fold with long sweep strokes; thirty years speaking English in this rural backwater and still his hands fumbled with something he couldn’t quite fathom.
“Hold on her? Would ye listen to yer man!”

                                     ***

“How do people die if they die with their eyes wide open?” she asked her friends in the city.

“A knife in the gut.”
“A jealous lover.”
“A shock to the system!”

All predicted sudden and violent deaths.

                                      ***

She watched him from her deep recessed cottage window; a tall lithe man pushing fifty, his spade sliding easily into the caked earth as he cut beds for winter seeding.

Swallows dipped in and out of the turf shed, wild pheasants ate the grass seeds she’d planted in late summer. The russeting oak cradled the blossoming holly and she nearly trod underfoot fungi bright as hot coals. Winter was coming.

She’d best stay away from the Frenchman, for how could she close his eyes in death if she never went near him; it was the intimacy implied in that gesture that bothered her.

                                         ***

She howls by the light of the moon.
She walks naked at sunset.
She has teeth like fangs.
She pees in the turf shed.
She’s a queer one for sure.
She works hard…
He means for a blow-in!
                                                           ***

There was a light tapping at her door, playful like a tune. Sarah was stacking woodpile in the corner of the alcove where the black Stanley squatted, and through the half-door windowpane she saw the tall man standing. She looked into eyes that were black as the Stanley; his skin was rain beaten, and he held himself straighter than any man she could remember.

“It’s you so,” she muttered opening the door.
“No, a life-size model! The Irish! They love to state the obvious or talk in riddle. “I’ll do it now, in a minute,”” and he laughed, his black eyes twinkling.
“Have you something to tell me or not?” asked Sarah bristling.
“You’re a sour woman, or is it dour? I’ve come about the system,” and he waved his hands towards the Stanley. “I notice smoke from your chimney and I see you have it fired.”
“You’re an observant man,” she quipped back.
“What I mean is the electricity is cutting and the pump is not functioning and the system…” Words fluttered and danced. She could see him tilt and turn the spade this way and that, testing; words sliding across the blade, settling only when he had done explaining.
“You didn’t interrupt me!”
“Sure why should I? Thank you. I understand; about the system. And it’s dour, but sour works too.” And she closed the door on a bemused expression.

                                             ***

They say she has a hoard of illegitmates in the city.
They say she killed a man by simply sitting on him.
They say she has the evil eye and can cast a spell.
They say she stacks money in the chimney.

“She listens,” said the Frenchman.

                                            ***


She had never been wrong before; her intimations she always trusted.
But he appeared more often now.

Did the flue need cleaning?
A tile had fallen off the roof.
The hedge needed trimming?

And so he came, feeding her stove and her emptiness with hands that smoothed and folded imaginary contours on her cotton tablecloth and, stroking it, he told her his story. And once in the telling his eyes rolled upwards in their sockets and her heart stopped; she leaned towards him fumbling.

                                                      ***

Swallows dipped in and out of the loft that night and the lovers flew with them. They flew out through the roof and waltzed on the Milky Way; followed the quest of the plough and ended up in the Northern Star. Then they fell into a deep, deep sleep.

“La petite mort, we call it.”
“Little death?”
“And la grande mort, that’s death; the end or the beginning.”

Sarah began to laugh; her rolling laughter scattering the swallows that nested under the eaves. And then the tears came, and the falling of the ache she had been holding.

“So you’re not dead yet,” she said placing her palms over his eyes.
“The Irish!”

“I know! We always state the obvious…”

Copyright with Cathy Leonard 2017

Friday, 14 July 2017

Sherlock's Back



Happy to report that Sherlock, our one-eyed Moggy, is safe and sound and back home again.

He was found by scouts a few days ago at their camp in the Dublin mountains near Ticknock. We don't quite know how he got there, as it's a 10k trek, or what he has been up to for the past 3 weeks!
But the scouts looked after him well until the scout master brought him to the SPCA yesterday. 

And thanks to the microchip I got the call.
Thanks Everybody at Larch Hill Camp!!
We hope he earned his Badger Adventure Badge.

http://www.larchhill.org/

Thursday, 29 June 2017

MISSING SHERLOCK

Our one-eyed Moggy has disappeared since June 22nd.

MISSING SHERLOCK

I stroke your paws
on the screensaver of my laptop
and stretch my fingertip
to touch the tip of your nose
and recall your soft fur
and wet snout, your engine purr
your roll-over-scratch-me
your snake flick about my feet
your dives through garden-hose-spray
your rocket-leaps after flies
your paw-swings at lupin
your skulks behind flower-pots
your Premier-League-advances across
tiled floor in pursuit of belled balls.

I find them now abandoned
beneath beds, couches, cupboards
in places you couldn't reach.

Like you now, beyond my call.

                                                                 

Thursday, 25 May 2017

Summer Trails

The Stylist






Nobody sees him shave his trails but in the evening they are there

turning our park woodland into a gallery of buzz cuts, long and short,

opening up our possibilities,

giving us choices we never knew we had.

 

A high taper with scalp exposure in front of the big Ash.

To the left, a clean shaven trail that cuts through fields of daisies,

and, to the right, a razed trail that weaves and curves through common vetch,

its clinging tendrils wrapped around its neighbours.

 

A mane with shaved sides circles the Beech,

enticing us past stinging nettles that skirt

a hedge of bramble, not yet ripe, and ribwort plantain,

its ovary capsules spilling seeds at our feet.

 

Or past a butch cut that slices through a clump of dandelion,

their jagged teeth, dents-de-lion, in various stages of growth,

some bright yellow heads threatening closure with the scent of rain,

and gossamer balls of seeds  shedding themselves in our wake.

 

A stroke of his blade and a stubble path is shaven with precision

through tall grass sporting hogweed five feet tall.

A V junction creates a crown of creeping buttercups

drawing the eye to a newly planted Oak.

 

He’ll be back tomorrow, or the day after, or the day after that.

Restyling and regrooming our park.

The man on the grass mower tractor

from Dunlaoghaire-Rathdown County Council.



Copyright with Cathy Leonard 2017

Wednesday, 19 April 2017

In Memoriam

A Single Girl
(for Ann, RIP)

Your ashes won't be coming home.
We won't be angsting about shape or size of urn
Or whether to keep or scatter or when or where.

The Black Lough where you used to skate, if the ice held
Or the sea at Portrush where you climbed through marram- grassed- dunes
Ate sand-flaked sandwiches, dipped your toes in the Atlantic waves

Screamed knives,and retreated to Barry's Amusement Arcade
And the burning smell of rubber tyred dodgems, the ping and pull of slots,
The jute box blasting out Sandie Posie's Single Girl.

You never did find your "sweet lovin' man to lean on"
And settled for that "great big town" Down Under.
No email. No Mobile. A non-adaptor.

We heard of your passing a week on.

Copyright with Cathy Leonard April 2017

Friday, 31 March 2017

Memory Lane

Memory Lane

Blinkered and ear-muffed
You don’t want to register
The changes that progress
Has unleashed on your home town.

Half a century later
MacDonald’s and Sainsburys grazing
Where there were fields, oak lined,
Sheep bleating out lambs this time of year.

An Odeon Cinema has colonised the dog track
Where you gathered used betting stubs,
Slipped the track barrier and coursed
Like a hare from the hounds.

The convent bolted and shuttered.
The nuns transplanted to suburban
Housing estates. Mercy Nuns-
Not shamed, but old-

Unsustainable as a going concern.
Church pews still implacable.
More so now to creaking knees and neck too stiff
To crane after forbidden subject of desire

As you were once want.
None of your peers.
Did they migrate, like you,
To wider pastures?

Or aged beyond recall
Like you- a ghost of yourself
Looking for a bend in the road
That’s no longer there.


Copyright with Cathy Leonard 2017

Saturday, 25 March 2017

Hat Speak

I came across the milliner/artist Susanne Lewest at the Farmer's market, Leopardstown a few years ago. I fell in love with her hats. Today Susanne concentrates on her painting but here is a hint of what she is about.

HATSPEAK

The milliner is a scavenger by trade and a visit to Susanne Lewest’s studio confirms this.

It is a maze of hat boxes, threads, spools, swathes of various fabric, stuff that I can’t quite

figure out…snakeskin, swirls of snip-offs that used to be something else, feathers, fishing

twine, coconut palms, beachcomb finds, sea-smoothed wood, leather sisal…

I begin to fear for my leather bag dropped nonchalantly somewhere on entry!!


     In a trade that is dying Susanne says, “I want to make the hat casual again.”

Your granny probably had a few hats, your mother fewer, but I remember the “hat for

life” idea that lurks somewhere in my cellular memory. So what makes her think she can

do it? Challenge and transform the cultural prejudices of a nation?


   Born in Berlin where she studied design and model shaping at the Lette Verein Schule,

Susanne perfected her craft with famous Parisien milliner Jean Barthet. She speaks about

her passion in a language that seduces. Her designs she says, “grow from the fabrics

rather than an idea. The act of making becomes an organic process.” While she feels

inspired by the hats of the 20’s and 30’s, the cloche and the torque of the Bloomsbury set,

her relationship with her material is dynamic.

“The hat literally grows under my fingers.”


  Sisal lends itself to the big hat for the classical occasion…what she calls the “chapeau

dame”. Velvets are more at home with the cloche or the torque. Linen is ubiquitous.

Susanne has her own vocabulary to describe her hats that have evolved from the thirties.


  The “année trente” looks like it should be accompanied by a vintage racing car. The

peaked cap takes on a new perspective with the “visière drappée,” incorporating a pleated

bandeau to give it extra volume. The “visière foulard” saves you the expense of a hair

extension, with its scarf effect and illusion of sidelocks. The “huitre” or oyster is her

name for a cheeky linen torque with a shell-like side addition. Her latest creation the

“gruyère” started with the desire to make holes in linen!

   Hats in various stages of embryo are strewn about her studio. She pulls on a coconut 

palm creation still in draft. “One or two more stages to get through here,” she says. To me

it looks finished apart from the hat pins on its crown that shine menacingly.

“I’m not sure what will happen next,” she adds, “but it will come…the dénouement.”

   

   She would need a magnet for all the pins she drops. And these are not just ordinary pins.

Embelleurs are longer, thicker and a lot more deadly than your commoner garden pin.

Scraps of fabric fly as she snips and fashions her material to the purr of Singer and the

hiss of iron. Ironing a hat is a task that should come with an indemnity claim. She used to

bur n her fingers frequently, ironing out those tiny seams. That’s why every milliner does

come with a wooden ironing board, two feet by two, on her lap where she props her hat

moule, her iron and her hat in the making.

   I’m witnessing here the first stage of hat craft: the laying out, the cutting- sew, swivel,

iron, snip, repeat. She moves swiftly, economically through her repertoire of skills. The

smell of aperture lingers: a hospital twang, the substance that transforms limp cloth into

hard shell.

   “To see a hat that I have created find the head to suit…it gives me great pleasure.”

With a head of unruly locks that most hats just pop off or, worse still, stay on-leaving me

with a suspicious looking bump that could be hidden antennae- I am a challenge to any

milliner. But with Susanne’s trained eye a visière drappée or, in plain English, a visor,

allows me to spin my deviant locks in a swirl over my head, a natural and organic

addition to the creation itself.

 A gallette or beret encourages sipping fresh coffee and savouring French baguettes, even

on not so sunny terraces, while the cloche necessitates a pouring over Mrs Dalloway and

Virginia’s diaries .I come away with the sporty linen visière embroidered with spirals and

a longing for far off horizons and wide oceanic spaces. I’m on the doorstep on my way

out and have forgotten the bag. Perhaps a black leather helmet to go with the convertible

vintage sportscar? Why not !!