Sunday, 19 July 2026

Still on the subject of revision- Shorten that poem

 


Preparing a new volume of poems I am revisiting the old ones, many published on the blog. The Butter Road is one of these. It's not always a question of just shortening the poem but sometimes it is!


THE BUTTER ROAD

 

I'd say the road hasn't changed much two centuries on, 

still mossy- stoned underfoot, the ponies hooves must have sank 

in the ruts like ours, booted and sandal shod. I warned him 

about the terrain but he's fond of the pilgrim way though this

is no spiritual path. Here men and ponies toiled a week long return 

from Mizen head to Skibbereen to the Cork  Butter Exchange, loaded 

with two firkins of salted butter, thirty- six pounds apiece, bound 

for Spain and the West Indies and beyond, while we shuffle 

a lightweight backpack between us, water, chocolate- snacks 

for a day trek, stop to frame straggling fuchsia, burnished fern, a cottage

embalmed in ivy and bramble, and the so-called "idle bridge," 

built as relief work during the famine, leading nowhere, shouldering

failed hopes and bones, and listen to the same birds, the long-tailed tit flitting

from limb to limb, the rook setting up a din as we, in passing, disturb

those best left to rest in peace.

 

More of a prose poem

Here is the revision:

Mossy-stoned underfoot, the ponies hooves

 must have sank in the ruts

where they toiled a week long return 

from Mizen head to Skibbereen

to the Cork  Butter Exchange,

loaded with two firkins of salted butter,

thirty- six pounds apiece,

bound for Spain and the West Indies and beyond,

while we shuffle a lightweight backpack between us,

 stop to frame straggling fuchsia, burnished fern,

a cottage embalmed in bramble,

and the so-called "idle bridge," 

relief work during the famine,

leading nowhere, shouldering

failed hopes and bones.

 

Copyright 2026 Cathy Leonard



Saturday, 18 July 2026

Revising poetry drafts

 


Revising an earlier draft of your poems is an interesting process. I originally called this poem The Killing Field and it relates to a scene witnessed in  my back garden. The new draft is shorter and I think more effective. A new shape of the poem on the page started to emerge and I decided to play with that. 

The early title also probably conjures up that 1984 British Biographical drama film set in Cambodia. 

Titles matter and I often struggle with them.

 If the poem is meant to surprise you don't want to give too much away. 

However they can be a tad esoteric!!

And there is a practice these days of long titles like : To the boy who nearly won the Tesco Art Competition. Love that!


The Blackbird

 

His head tilted to the thrum of earthworm

He didn’t notice a shadow

hug the ground, or hear

the wing swoop propel 

the raptor forward

 

its long tail fanned out to break speed

 

The last thing

the blackbird saw

was the hawk’s yellow eyes

fixed in a deadly stare, before claws

descend, before shorn feathers blacken the air.


Copyright 2026 Cathy Leonard

 


The original poem below

The Killing Field

He would have had his head tilted listening for earthworms.

He wouldn't have noticed a shadow hugging the ground

or heard the short wings swooping the air 

propelling the raptor forward, its long tail fanned out 

to break speed.


The last thing the blackbird saw was the yellow eyed sparrow hawk

fixing it in a deadly stare before claws descending 

left shorn feathers blacken the air.


What we saw looking out our kitchen window

was a hooked beak delve into bird skull 

and strong yellow legs pin their prey to the ground.


It was too late to save the songster 

and probably unwise.